Category: Culture

  • Death is Analog

    We spend so much of our lives split between our digital and analog worlds, but that changes when somebody dies. When the phone rings before 6am it tends not to be good news. Saturday, September 9. Mom. “Evan died.” My younger brother. He was 52. In life, our attention bounces between digital and analog worlds,…

  • Batman, Business, and the Incomparable

    How one Batman cartoon from 1992 demonstrates the strategic value of looking for what makes your business impossible to compare to the competition. The most important question in business isn’t “how does your offering compare to the competition?” Instead, the question to ask is “how is your offering incomparable?” What is it about your business that…

  • The Hollywood Strikes, AI, Strategy, & Overfocusing

    The organization on the other side of the negotiating table from the striking writers and actors is the AMPTP, but how can one organization represent studios with such divergent interests? The Alliance of Motion Picture and Television Producers (AMPTP) is a mysterious Hollywood trade association. Its website contains no list of member organizations: just some technical documents,…

  • The Real Social Media

    The algorithmic rabbit holes of Facebook, Instagram, and Snap can isolate us, but could we use both today’s and tomorrow’s digital technologies to connect In Real Life (IRL)? Both in its etymology and our common practice “social media” is oxymoronic, like “jumbo shrimp.” The Latin root socius means ally (or similar words like comrade) and is a shared…

  • Adapt-amnesia, and why it matters

    [Note: I wrote this piece back in November of 2017, but it only appeared on the Center site, not here. Since this is still something I think about, I’m adding it here, albeit belatedly.] We’re the most adaptable species on the planet, but then we forget that we adapted. That’s bad news for incumbent businesses…

  • Keyword: Overfocusing

    The Hollywood strikes versus what makes experiences special in the first place. This is the third piece in my keywords thread, but you don’t need to read anything else to understand this one. Bad products can yield positive experiences, but we don’t have useful tools to describe the difference because we tend to focus more on products…

  • Economist, DeSantis, Trump, Shakespeare

    The May 27th issue of The Economist has an in-depth briefing entitled, “A bungled coup: Ron DeSantis has little chance of beating Donald Trump to his party’s nomination.” The Economist is always literate, but it isn’t often literary. This piece persistently conjures up Shakespeare’s Julius Caesar throughout. That includes the opening line: “Belatedly and nervously, the would-be assassins have been…

  • Keyword: Eventness

    Watching the series finale of “Star Trek: Picard” was a lonely exercise because most of the value of experiences comes from sharing them. Regret seldom punctuates my day-to-day life, but if I had Prof. Peabody’s Wayback Machine handy I would jump back a few days and then schlep up to Seattle or down to L.A.…

  • Musk, Twitter, NPR

    When the Twitter owner and Tesla CEO wrongly labeled NPR as “state-affiliated media” NPR fought back in a powerful way, but it’s only a start. What needs to happen next? Money has no morals. Money erodes morals because it washes away context and specificity in favor of interchangeability. Think about the differences among giving a…

  • Why You Should Read “Chokepoint Capitalism”

    A new book explains how we got to our age of giant culture companies shaking down artists, why it matters to the rest of us, and what we can do about it. It baffles me that Rebecca Giblin and Cory Doctorow’s book Chokepoint Capitalism isn’t on top of The New York Times bestseller list. It’s an important book…