Category: Culture

  • Mediapocalypse 2025

    Peak TV is here, but it’s not going to last because there isn’t enough audience to go around. The collapse and consolidation is just a bit more than two years away. Here are my predictions. What happens after you reach a peak, any peak? You descend from the height… whether it’s summiting Everest, climbing that hill near…

  • Nostalgia and Pseudo-Nostalgia in TV

    “Happy Days” portrayed the 1950s when the 1950s weren’t even 20 years in the past. Last week saw the premieres of two new series, “Quantum Leap” and “Reboot,” that explore similar territory. For kids in the 1970s the biggest star in the world was Henry Winkler, who played The Fonz on Happy Days. The show was…

  • The New York Times’ Moral Lapse

    The Gray Lady blew it when it decided to review Jared Kushner’s new memoir, no matter how scathing the review. Your correspondent also blew it by posting about the review.  When people learn that I’m an atheist often the first thing they say is, “oh, so you don’t believe in God?” “No,” I push back…

  • Experience Stacks, Movie Stars, and the Problem with Facebook

    How we experience the work of movies stars is different than how we experience the work of actors, and that difference also helps to understand what we lose when we spend a lot of time on Facebook. The job of an actor and the job of a movie star are similar—they overlap—but they are not…

  • Experience Stacks: Top Gun, Star Trek, Spider-Man

    What are Experience Stacks? And why is it important for businesses and customers for a wide range of industries to understand them? Many companies refer to their selection and arrangement of software and hardware as a “Tech Stack” that focuses on the creation, management, production, and tracking of business activities.  On the reception side, we…

  • What Twitter should do next (after Musk)

    Now that the Tesla CEO is riding off into the sunset, the social media company needs to skip the protracted court battle and focus on what’s important. On Friday, Elon Musk made official his desire to wiggle out of his Twitter acquisition. Many Dispatch readers kindly and gratifyingly reached out or posted saying “Brad, you called this one!”…

  • The world in April, 2023

    In 2011, my near-future science fiction novel Redcrosse came out. The action was set in 2023, which is just a few short months from now. How clear was my vision? Last week at a film festival, I was trapped in an endless concessions queue that (bonus!) doubled as an internet dead zone. After I had…

  • Nothing is ever meant to be

    The difference between stories and real life is that stories make sense. We humans love stories. We love to tell stories, and we love to consume stories even more. “Tell me a story!” little children command. Whether our stories are sweeping novels like Anna Karenina, a sweeping collection of TV series like more than a half…

  • Analog Lives in a Digital World

    What makes things special, memorable, satisfying often has less to do with the things themselves than with the context where we experience them. Some mysteries are eternal. If the Coyote can afford all those expensive items sold by the Acme Company, then why doesn’t he just visit a desert KFC to eat plumper poultry than…

  • A Simple Test for What Counts as “The Metaverse”

    Lots of walled gardens and videogame platforms are now touting themselves as part of the metaverse, but there’s an easy way to tell if it’s true. Plus, revising Neil Postman’s “Amusing Ourselves to Death.” Two shorter (although slightly connected) main stories this week… 1. Revisiting Neil Postman’s “Amusing Ourselves to Death” If you subscribe to…