BradBerens.com
Thoughts about where our real and digital worlds collide.

  • No algorithm for serendipity

    What do Mister Rogers and artificial intelligence have to do with each other?  This is a column about the nature of human expertise. That sounds like airy philosophy, but it’s actually an urgent practical question facing us as a species today because of the pressure that algorithms (artificial intelligences and machine learning) put on what we…

  • Analog Pleasures in a Digital World

    At first, it was hard to appreciate the elderly woman seven rows in front of us who had a sudden coughing fit during the opening minutes of Copland’s “Appalachian Spring” at a recent trip to the symphony. But as I winced through the coughing and throat clearing that sat between us and the orchestra, I…

  • The Two Failures of Gillette’s Toxic Commercial

    Blowback on Gillette’s “The Best Men Can Be” campaign against toxic masculinity, and there has been a lot, falls into two general camps: 1. Don’t you lecture me, Gillette (I’ve seen this from people across the political spectrum, albeit more stridently from the right); 2. Gillette, this ain’t gonna make Dollar Shave Club go away.…

  • The Flip

    It may be the most heartbreaking half hour ever seen on television. “Time Enough at Last,” a 1959 episode of the legendary anthology series The Twilight Zone, features Burgess Meredith as Henry Bemis, a thick-glasses-wearing bank teller who loves nothing more than reading, but whose wife, boss, and other circumstances interfere with his ability to…

  • My 2018 in Books

    This is the fifth year that I’ve kept a running list of every book that I’ve completed for the first time and then shared that list here as the first thing I post on either the last day of the old year or the first of the new. You can see the 2017 list here,…

  • Nonprofits are the real threat to Uber and Lyft

    There is little that is technologically defensible about Uber or Lyft. Both companies combine a handful of off-the-rack features: a smart phone app, map, GPS, credit card, and a rider/driver-matching algorithm. It would not, therefore, be difficult to clone a ride-hailing competitor. For years, I’ve maintained that Uber the verb (“let’s uber there later”) will be…

  • “Bohemian Rhapsody” is fantastic: what the critics missed

    The Bottom Line: Drop everything, turn off your phones and go see “Bohemian Rhapsody” immediately. The critics are wrong. It’s fantastic.  More details: I have a pet theory that critics—subject matter experts of all sorts, really—get so into the weeds of the production of the material they critique that they lose track of why ordinary…

  • All the news that’s fit to ignore

    I missed the mid-terms last week. It was great. Don’t get me wrong: I voted early by mail, so I did my civic duty. It’s what happened after I dropped my ballot that’s interesting. Due to travel in the wilderness and no access to the internet or other media, on Tuesday, November 6, I didn’t…

  • Since when does Anthony Lane review NETFLIX “movies”?

    In the November 12 issue of The New Yorker, film critic Anthony Lane reviews both The Front Runner, a Gary Hart biopic starring Hugh Jackman, and Outlaw King, a Scottish period piece starring Chris Pine. (Link here, subscription required.) Lane is impressed with neither film. What surprised me about Lane’s Outlaw King review is that the film…

  • 2023: Why Comcast should worry

    For years I’ve thought that—while Comcast’s cable television business had a future that made polar bears wince in sympathy—its lock on the cable internet business made the company invulnerable. Sure, cord-cutting and cord-shaving are eroding cable TV. Younger people in particular, unless they are big sports fans, don’t bother to subscribe (cord-nevers). However, Comcast still…